It was far more likely that a publisher would rely on search to provide access to such a large database of small items. Now join your hands, and with your hands your hearts. Of course, indexing alone would not be enough to meet the requirements for the digital application Hachette set out to develop.
Meeting all of these requirements demanded the development of a taxonomy. The final BFQ taxonomy had almost 3, preferred terms with more than 2, synonyms and cross-references, arranged in a six-level hierarchy across 20 top-level categories. More than 55, keywords were assigned to nearly 20, quotations, an average of about 3 tags per quotation, with a maximum 20 tags assigned to a single and exceptionally long quotation. A vocabulary was created for occasions e. Finally, these terms were used to build a multifaceted search and navigation experience, so that quotations could be found in multiple ways.
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You must be logged in to review this product. Please log in and try again. One of my favorites is James K. The blue-bound fourteenth edition came out in and did so well that during some years it sold as many as fifty thousand copies. The first thing Mary Rackliffe, the superb copy editor of the fourteenth edition, and I did was to go through the old edition of Bartlett and mark passages to go. Quotations not included before suddenly take on relevance and significance in the light of changing tastes and attitudes.
And during every revision, the editors discover old familiar quotations that somehow never got into Bartlett. Blacks are better represented in the latest edition, as are North American Indians and women. When in the course of reading one finds a good quote with the author mentioned but not the source, the problem of identification is challenging.https://xonytenidoge.tk
Scaling Bartlett’s Familiar Quotations
I nearly despaired, but in the course of reading Madame Bovary not even mentioned in Familiar Quotations , the sentence leaped forth from the page—serendipity! Our doubt is our passion, and our passion is our task. The rest is the madness of art. I was prepared to simply put it in with the credit Attributed —a cop-out, of course. Then one day I read an article by Truman Capote, who quoted this passage and said he thought it came from The Middle Years.
Bartlett’s Familiar Quotations
So I dashed off to the library and got hold of James s autobiographical work. I read it all the way through—but found no wonderful quote. Then I chanced to read the editor s note at the end—the title was taken, he said, from James s short story of the same name. Then one evening, on an impulse, I took down from my bookcase a recent collection of his essays to read for pleasure. I was reading one of them, Return to Tipasa , about his coming back to a beloved place in Algeria where he spent summers in his youth.
Something about the text made me alert—and lo, there toward the end was the quotation—more serendipity. The ice is there, the ice is here On the opposite shore rides Paul Revere His brow is wet with honest sweat The feast is set, the guests are met Eternal summer gilds them, yet How the farmers gave them ball for ball, Beauty is truth, truth beauty, that is all The curfew tolled the knell of parting day And when the sun set where were they?
I met a traveler from an antique land I knew his heart, I knew his hand We stood in Venice on the Bridge of Sighs And looked at each other with a wild surmise. The sea was calm that night, the tide was full A boy stood on the burning deck The blessed damosel leaned out and wept, I heard her tears She was the darling of my heart and she lived in our alley Oh how she walked in beauty like the night!
Look on my works, ye mighty, and despair!